I think this is the best essay I’ve done so far for Nextbop. The idea that the masters of jazz should be allowed to take their place as legends, instead of being treated like contemporary players – even if, like Sonny Rollins, they still make music – is one that’s been with me for a while. The masters are of the past. Their music may be good, even excellent, but it is in very few cases groundbreaking or even all that exciting (an exception is Wayne Shorter, whose newest album is out in February and is currently streaming at Nextbop).
I don’t want to see Sonny Rollins at the top of a DownBeat poll – or Herbie Hancock, or Ahmad Jamal, or anybody. The music is undoubtedly good, but it’s creating impossible competition for the jazz creators of today. Read my whole take here.